![]() Before setting Guino definitively to work, Renoir wrote to his friend Albert André asking him to go and measure the relative dimensions of a Greek statue of a woman. The most detailed account of the making of the large figure is given by Haesaerts, op. The initial idea for these figures came from one of Renoir's old drawings. This first statuette was a 'Small Standing Venus' 60cm high modelled in 1913 and the large statue which was developed from it was the 'Large Standing Venus' or 'Venus Victorious'. I allowed myself to be persuaded, we made a little statuette, then, from counsel to counsel, a large statue' (A. According to one report, Renoir said: 'Vollard then cleverly asked me to give some advice to a young sculptor of talent who intended to execute something after one of my pictures. When he expressed a wish to take up sculpture again a few years later his hands were completely disabled but his dealer, Ambroise Vollard, made the astute suggestion that he should use the services of an assistant, Richard Guino, a young sculptor who had been a pupil of Maillol. The only sculptures which Renoir executed entirely with his own hands were a medallion and a bust of Coco made in 1907-8, and even then his hands were partly paralysed. Venus, the Goddess of Love, holds the golden apple awarded to her by Paris in token of her beauty. John Rothenstein, The Tate Gallery (London 1958), pl.13 144-6 Lionello Venturi, Les Archives de l'Impressionnisme (Paris-New York 1939), Vol.2, p.135 Una E. (London 1936), p.250 Walter Pach, Queer Thing, Painting (New York and London 1938), pp. Ambroise Vollard, Recollections of a Picture Dealer Pierre Renoir évoque pour nous le Souvenir de son Père à propos d'une Exposition des Sculptures de Renoir' in Le Figaro, 23 October 1934, p.8 repr. catalogue Renoir: L'Oeuvre Sculpté, l'Oeuvre Gravé, Aquarelles et Dessins, Beaux-Arts, Paris, October-November 1934 André Warnod, 'M. pp.404-5 Ambroise Vollard, 'Souvenirs sur Renoir, Sculpteur' in exh. (Paris 1928), p.51 Julius Meier-Graefe, Renoir Paris' on back of base Bronze, 71 ¾ x 44 x 30 ½ (182.5 x 102 x 77.5) Purchased from the Fonderie Alexis Rudier, the founders (Cleve Fund), 1950 Exh: Renoir, RSA, Edinburgh, August-September 1953 (47, repr.) Tate Gallery, September-October 1953 (47, repr.) Pioneers of Modern Sculpture, Hayward Gallery, London, July-September 1973 (168) Lit:Īmbroise Vollard, La Vie et l'Oeuvre de Pierre-Auguste Renoir (Paris 1919), pp.192, 260 Karl Ernst Osthaus, 'Erinnerungen an Renoir' in Feuer, I, February 1920, pp.317-15 Georges Rivière, Renoir et ses Amis (Paris 1921), p.252 Waldemar George, 'L'Oeuvre Sculpté de Renoir' in L'Amour de l'Art, 1924, pp.332, 339-40, repr. Inscribed 'Renoir | 1914' on upper surface of base 'Alexis Rudier. The Piazza is open every day from 10 am to 6 pm and is located in the heart of Trinity Place on 8 th street between Market and Mission streets.N05934 Vénus victorieuse (Venus Victorious) 1914 Venus is made of stainless steel sections welded together by many skilled artisans using a highly specialized technique that renders all seams undetectable.The decorative bollards weigh 8,000 pounds each.Venus is slightly shorter than the Statue of Liberty’s 111.5 feet measured from heel to crown. It will extend into the sidewalk on Market Street upon completion, inviting pedestrians into the piazza. That is what is magical,” shares Argent.Īrgent also designed a mosaic path that is nearly 50 yards long and artfully rendered to reveal a new view with every step. It’s a place, a space that people can come and enjoy a respite from the bedlam of the city. “The gift that Angelo (Trinity’s late founder) has given the city is the experience of art. The collection in its entirety is entitled C’era Una Volta-“Once Upon A Time”. To give the table “movement” and create the sense of gathering at a friend’s home, Argent added a “ripple” along the marble table top, creating the impression of a large tablecloth naturally creased in the center. There are 18 art elements at Piazza Angelo, of which include a 20-seat Carrara marble table and custom-designed seven-foot glass bollards with illuminated hollow centers. At 92 feet, she is the tallest sculpture in San Francisco. Venus is artist Lawrence Argent’s interpretation of the classic Venus de Milo sculpture and reigns as the centerpiece of Piazza Angelo, the courtyard at Trinity Place. ![]()
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